Alperin Blogu

Türk Telekom - THY - Uçan Ev

2011-11-19T03:50:00.001-08:00

Ajans :TbwaYapım : Dijital Sanatlar - Mustafa Uslu
Yönetmen : Michel Meyer
Post prodüksiyon : Sinefekt
Online & Compositing : Sinan Vural , Alper Oktay
3d : Arda Kutlu, Nedim Sinan İren, Mahmut Yıldız
Color Grading : Dilek Şarman Er

Pepsi - Toyota - Hülya Avşar

2011-10-13T06:19:00.001-07:00

Yönetmen : Hakan Yonat
Ajans : Alemeti Farika
Prodüksiyon Firması : Kala Film
Post Prodüksiyon firması : Sinefekt
Online & Compositing : Alper Oktay

Anadolu Sigorta

2011-10-13T06:02:00.001-07:00

Director : Bahadır Karataş
Production Company : Filmpark
Agency : TBWA
Post Production : Sinefekt
Editing : Evren Aksoy
Grading : Dilek Şarman Er
Online & Compositing : Alper Oktay

My Showreel on Vimeo

2011-10-05T04:48:00.000-07:00

Alper Oktay - 2010 - 2011 - Sinefekt Showreel from alperoktay on Vimeo.

My showreel on Dailymotion

2011-10-02T04:21:00.000-07:00

alperoktay_showreel alperoktay

My showreel on Youtube

2011-10-01T07:00:00.001-07:00

Some of my work 2010 2011

2011-09-10T05:45:00.001-07:00

Motion Design nedir ?

2011-09-01T03:43:00.000-07:00

"Motion Plus Design", Paris'te motion design dünyasına adanan bir sergi merkezi yaratmayı hedefleyen bir projedir.Bu projenin amacı motion design dünyasını umuma açık hale getirmektir.

Türk Telekom - Motorola Xoom Tablet

2011-07-05T04:15:00.000-07:00

Yönetmen : Ömer Faruk Sorak
Ajans : Tbwa
Post Prd. :Sinefekt
Online & Compositing : Alper Oktay

OM stüdyoları Red Epic 'i kanatlandırdı

2011-07-01T02:22:00.000-07:00

OM Stüdyoları (http://www.omstudios.de/)
teknoloji olarak en gelişmiş dijital sinema kamerası sayılan Red Epic' i bir octocopter le havalandırıyor.Om-copter adını verdikleri octocopter (8 pervaneli bir helikopter)toplamda 5 kg ı geçmeyen carbon fiber kamera taşıyıcı (camera mount), hafif bir lens ve Red Epic 'ten oluşan bir setup ı rahatlıkla taşıyabiliyor.Red Epic (http://www.red.com/products/epic) : 5k çözünürlüğünde saniyede 120 kare kayıt yapabilen,HDRx teknolojisi ile 18 stop dynamic range e sahip, compact gövde tasarımı sayesinde 3d stereo kayıtlar için uygun yaklaşık 58.000 $ gibi yüksek olmayan fiyatlı bir kameradır.Red Epic 'i Ridley Scott, Peter Jackson ve James Cameron son filmleri Prometheus, “The Hobbit” ve “Avatar 2” de kullanmaktadır.

Panda - Hande Yener

2011-06-01T23:37:00.001-07:00

Director : Ketche
Agency : Marka
Production Company : Film Adamlar
Post Production Company : Sinefekt
3d : Anima
Online & Compositing : Alper oktay

Airwick - Cemil İpekçi

2011-03-08T01:50:00.000-08:00

Quicktime 1.94 mb

Ajans : Euro RSCG

Eti - Burçak

2011-02-15T03:52:00.000-08:00

Quicktime 2.16 mb

Director : Ömer Faruk Sorak
Ajans : Propaganda
Production Company : Böcek Yapım
Post Prod. Comp. : Sinefekt
Online & Compositing : Alper Oktay

Microsoft - Windows - Media Center - Viral

2011-02-12T07:51:00.000-08:00

Quicktime 2.14 mb

http://www.ajanw7.com/

Director : Ezel Akay
Ajans : Fikir Merkezi
Production Comp. : Contact Works
Post Production Comp. : Sinefekt
Compositing Artist : Alper Oktay

Turkcell - Kamucell

2011-01-13T04:11:00.000-08:00

38sn Quicktime 4.18 mb

Director : Ömer Faruk Sorak
Agency : Güzel Sanatlar Saatchi&Saatchi
Production Comp. : Böcek Yapım
Post Production : Sinefekt
Online : Alper Oktay

Turkcell - Nar

2011-01-13T03:43:00.000-08:00

65sn quicktime 10.2 mb

Director : Ömer Faruk Sorak
Agency : Güzel Sanatlar Saatchi&Saatchi
Production Comp. : Böcek Yapım
Post Production : Sinefekt
Online : Alper Oktay

Türk Telekom - Yılbaşı

2010-12-30T02:51:00.000-08:00

Quicktime 11.7 mb

Director : Mustafa Uslu
Agency : Yorum Ajans
Prod. Comp. : Dijital Sanatlar
Post. Prod. Comp. : Sinefekt
DOP : Veli Kuzlu
Color Grading : Dilek Er
Offline : Neslihan Seyrek Kuş
Online & Compositing : Alper Oktay

Fiat - Fiorino

2010-11-03T07:47:00.000-07:00

8.95 mb

Director : Bahadır Karataş
Production : Filmpark
Postproduction : Sinefekt
Online & Compositing : Kuban Altan, Alper Oktay, Turgay Gürsoy
Color Grading : Dilek Er

Newyork'ta Beş Minare

2010-11-03T02:38:00.000-07:00

14.6 mb

I was the online editor of the trailer. Color correction done by Dilek Er.

1.65 mb

Wide Angle Lens Deformation Correction for the shot where Danny Glover gets excited in the forecourt of Sultan Ahmet Mosk.

500 Kb

Only 3 of the muzzle flash shots done by me. Others are done by the team of a guy called Gonzales.

7.12 mb

These shots are stabilized by the technique of 3d tracking and projection. I was trying to do it with old school 2 point tracking. By the force of Kuban Altan and Sinan Vural I used the proper method.

Canon 5D MarkII 3d stereo brackets and lenses

2010-11-02T04:56:00.000-07:00

Anachrome 3D offers 3D video camera rigs, dual camera mount packages
http://www.anachrome.com

Loreo offers 3D lenses and optical systems for consumers and professionals
Loreo turns SLR camera into a 3D Camera
http://www.loreo.com

Garanti - 12 Dev Adam

2010-08-04T00:37:00.000-07:00

Quicktime 5.04 mb

Director : Bahadır Karataş
Agency : Alemeti Farika
Production Company : Film Park
Post Production Company : Sinefekt
Editing : Evren Aksoy
Color Grading : Alper Oktay
Online & Compositing : Alper Oktay, Özgür Taparlı, Turgay Gürsoy, Onur Ortalan, Ahmet Saraçoğlu

Bahadır Karataş,06.07.1965 tarihinde dünyaya geldi.1991 yılında Anadolu Üniersitesi Sinema-Tv okulundan birincilik derecesiyle mezun oldu. Film sektöründe yaklaşık bir yıl yönetmen yardımcısı olarak deneyim kazandıktan sonra özel bir burs kazanarak Los Angeles’a gitti.

Oscar’ları dağıtan Akademi’nin 1929 yılında kurduğu ve ABD’nin en seçkin sinema okulu USC Sinema Sanatları Okulu’na başvuran 14.000 kişi arasından seçilen 100 kişi arasına girerek üç yıllık bir master programına kabul edildi. Hem Hollywood’un hem de bağımsız Amerikan sinemasının en seçkin isimleri tarafından verilen üç yıllık bir üst-düzey yönetmenlik eğitiminden sonra 1996 yılında MFA derecesiyle mezun oldu.

USC’den mezun olduktan sonra Türkiye’nin ve dünyanın değişik festivallerinde sergilenen bir çok kısa metrajlı film ve belgesel yapan Bahadır Karataş, iki yıl yaşadığı Hollanda’da uzun metrajlı bir sinema filmi senaryosu yazdıktan sonra İstanbul’a döndü ve bugüne kadar yaklaşık 150 reklam filmi yönetti. Bir çok uluslararası ve yerli markanın ödül kananan imaj filmine yönetmen olarak imza attı.

Axess

2010-08-03T04:57:00.000-07:00

Click To Play

Director : Bahadır Karataş
Agency : Rafineri
Production Company : Film Park
Post Production Company : Sinefekt
Editing : Evren Aksoy
Online & Compositing : Alper Oktay

Arçelik Buzdolabı

2010-06-29T01:45:00.000-07:00

Quicktime 7.5 mb

Director : Özer Feyzioglu
Agency : Y&R Reklam Evi
Production Company : Traffic
Online & Compositing : Alper Oktay

There are several reasons for me to upload a clip to this blog. (The film is visually good, there is a difficult compositing task, there is a new camera or technique used or I like the film.)
This film has no special feature in terms of online & compositing. (Classical small fixes) This is the first time that I worked with director Özer Feyzioglu. I heart he worked as a flame artist long time ago. He knows what he wants and also the processes very well I think.

Sahibinden com

2010-06-21T06:57:00.000-07:00

Quicktime 4.8 mb

Production company : Mikado
Director : Hayk Kirekosyan
Online & compositing : Alper Oktay - Sinefekt

istikbal

2010-05-31T05:17:00.000-07:00

Quicktime 6.7 mb

Director : Charles Richards
Color Grading : Makina Fx
Online & Compositing : Alper oktay - Sinefekt

Quicktime 2.32 mb

Quicktime 2.44 mb

Çerezza

2010-05-03T21:26:00.000-07:00

Quicktime 9mb

Director : Ömer Faruk Sorak
Agency : Zebra
Production Company : Böcek Yapım
DOP : Veli Kuzlu
Color Grading : Dominic Aarons
Vfx Supervisor : Lamia Karaali Presheva
Compositing : Alper Oktay
Matte Paintings : Hüseyin Yıldız
Post Production Company : Sinefekt

Set Foto :

Before - After

Feature Films (Conforming - Vfx )

2010-05-01T02:43:00.000-07:00

2010

Eyyvah eyvah 2 (2011)
Director:Hakan Algül

Five Minarets in New York (2010)
New York'ta Beş Minare
Director: Mahsun Kırmızıgül

Sultanın Sırrı (2010)
Director: Hakan Şahin

Gişe Memuru (2010)
Director: Tolga Karaçelik

Atlı Karınca

Ejder Kapani (2010)
Director:Uğur Yücel

Recep Ivedik 3 (2010)
Director:Togan Gökbakar

2009

7 kocali Hürmüz (2009)
Director:Ezel Akay

Recep Ivedik 2 (2009)
Director:Togan Gökbakar

2008

Sicak (2008)
Director:Abdullah Oğuz

A.R.O.G (2008)
Directors:Ali Taner Baltaci, Cem Yilmaz

Issiz adam (2008)
Director:Çagan Irmak

Recep Ivedik (2008)
Director:Togan Gökbakar

Ulak (2008)
Director:Çagan Irmak

2007

O kadin (2007)
Director:Korhan Bozkurt

Kabadayi (2007)
Director:Ömer Vargi

Pars Operation Cherry
Pars Kiraz Operasyonu
Director:Osman Sinav

Adam and the Devil (2007)
Adem'in Trenleri
Director:Baris Pirhasan

Americans at the Black Sea (2007)
Amerikalilar Karadeniz'de 2
Director:Kartal Tibet

Çilgin dersane (2007)
Director:Faruk Aksoy

Ice Cream, I Scream (2006)
Dondurmam Gaymak
Director:Yüksel Aksu , Tankut Tansel

2006

Beynelmilel (2006)
Muharrem Gülmez, Sırrı Süreyya Önder

Destiny (2006)
Kader
Director:Zeki Demirkubuz

Cenneti beklerken (2006)
Director:Dervis Zaim

Sinav (2006)
Director:Ömer Faruk Sorak

Toyota - Auris Hangisi ?

2010-03-29T00:51:00.000-07:00

Click To Play

Director & Dop : Serge Roman
Production Company : Film Colony
Producer : Tolga Erener
Agency : Alemeti Farika
Color Grading : Dilek Er
Online & Compositing Artists : Alper Oktay, Bülent Ergün, Onur Ortalan
Post Production : Sinefekt

Driver is Volkan Işık

Director Serge Roman Serge Roman
serge@2in1.tv
+34 65 566 0006
He works for 2in1 - http://www.2in1.tv/

Doritos - Hisseli Tatlar

2010-03-23T12:03:00.000-07:00

Quicktime 3.9 mb

Director : Ömer Faruk Sorak
Production Company : Böcek Yapım
Agency : Alice BBDO
Composting Artist : Alper Oktay
Post Production Company : Sinefekt

Dominos - İncecik

2010-03-22T05:31:00.000-07:00

Quicktime 3.7 mb

Director : Kerem Altuğ
Agency : Güzel Sanatlar Saatchi&Saatchi
Production Company : Macuka
Compositing Artist : Alper Oktay
Post Production Company : Sinefekt

Info about the director :
Graduated NYU Film School.
Son of Şevket Altuğ.
Brother of Kezban Şardan
http://www.keremaltug.com

Avea - Kayıp Modem

2010-03-21T20:00:00.000-07:00

Director : Erol Özlevi
Production Company : Film Club Prod.
3d : Talha Şener
Online & Compositing : Alper Oktay, Turgay Gürsoy
Post Production Company : Sinefekt

Pamela - Say What You Want

2010-03-15T03:13:00.000-07:00

Director : Duygu Güzelmeriç
Production Company : Filmpark
Offline Editor : Erkan Özekan
Color Grading Artist : Emmanuel "Manu"
Online - Compositing Artsists : Alper Oktay, Turgay Gürsoy, Onur Ortalan
Post Production Company : Sinefekt

Athena - Serseri Mayın (5D Mark II)

2010-02-05T05:05:00.000-08:00

Athena "Serseri Mayın" from yucel kurtul on Vimeo.

Kuveyt Türk

2010-02-01T02:44:00.000-08:00

Quicktime 3.7 mb

Director : Kerem Kurdoğlu
http://www.keremkurdoglu.com
3d : Kba
Compositing : Alper Oktay - Sinefekt

Some of my work from 2009-2010

2010-01-28T04:09:00.001-08:00

Tegv - Türkiye Eğitim Gönüllüleri Vakfı

2010-01-27T13:14:00.001-08:00

Click To Play

Director : Bahadır Karataş
Prod. : Film Park
Ajans : Lowe
Post.Prd.: Sinefekt

Canon 7D Helicopter Rig With 70-200mm IS Lens

2010-01-25T07:11:00.000-08:00

SkyCamOne Helicopter with Canon 5D Mark II for Aerial Video

2010-01-25T06:44:00.000-08:00

New York Aerial Video - HD from SkyCamUsa on Vimeo.

http://www.skycamusa.com

High definition, low altitude aerial cinematography using the latest generation of electrically powered helicopters.

2010-01-25T06:33:00.000-08:00

Aerial video with a Canon 5D , 7D helivideo.com from Heli Video Productions on Vimeo.

http://helivideo.com/

Canon 5dmk2 on MK Hexakopter XL over the Lochsa River

2010-01-25T06:07:00.000-08:00

Canon 5dmk2 on MK Hexakopter XL over the Lochsa River from Jeff Scholl on Vimeo.

http://quadrocopter.us

The 5D Mark II HD aerial camera platform was used entirely indoors during the Jared Evan video shoot

2010-01-25T04:40:00.000-08:00

Eti - Tutku - Yerçekimsiz Ortam

2010-01-24T13:46:00.000-08:00

Click To Play

Yönetmen : Selim Demirdelen
Prodüksiyon : Dijital Sanatlar
Ajans : Güzel Sanatlar Saatchi&Saatchi
Post Prod.: Sinefekt

Canon DSLR aerial camera platform equipped with Canon 5D and 7D HD-DSLR cameras

2010-01-24T04:38:00.000-08:00

http://www.perspectiveaerials.com

"Sometimes It Takes Two" | Remote gimbal control independent of platform from perspectiveAerials.com on Vimeo.

Canon 5D Mark II Aerial Drone - Autonomous GPS Position Hold from perspectiveAerials.com on Vimeo.

Conforming (online editing) with a color grading system is a LIE

2010-01-11T11:30:00.000-08:00

Last month I was working on trailers and vfx (mostly fixes) of these
movies:

-Newyork'ta beş minare (Trailer)
-Newyork'ta beş minare (Fixes) (We only worked on fixes. vfx done by some foreign guys???)
-Sultanın Sırrı (Trailer)
-Gişe Memuru (Vfx and Fixes)
-Atlı Karınca (Vfx and Fixes)

The confirming (online editing) of these movies are done with Lustre and Scratch systems.
Problems I conquered are :

-Problems with editing. The movie wasnt matching with offline. The client is sitting with a laptop next to the
colorist and wishing some editing revisions. (But we had an edl and offline ???? )
-Missing layers of edl (missisg scans) (I had to wait the scans with some clients rearward. I thought colorists were conforming themovie ??? The first thing of an online editor is to check if there is a missing clip ???)
-Wrong timewarps. (Some muzzles are at wrong timing. Sound fx is in trouble I guess.)
-No interpolation at timewarps. Lustre and scratch cant do timewarps with interpolation.
-No reframing. (Some shots were anamorphic (2.35) and some are normal (4:3 fullgate) I had to resize them to a fixed res. timeline and also done the reframing.)

All these are not the limitations of softwares. Old-time colorists can't easyly get used to working with these systems.
Online editing or conforming is not importing clips and hitting the assemble button and should be done with
an online conforming station (smoke, inferno etc.) and with an online editor.

Perfection - Shot partly on iphone 4

2010-01-07T08:42:00.000-08:00

"Perfection" from Thomas Kruesselmann on Vimeo.

Lapino Albino - Shaving your image

2010-01-07T07:22:00.000-08:00

Lapino Albino | Shaving your image
Yükleyen lapino_albino. - Yeni sanat videolarını keşfet.

Shot with CANON 5D MKII
Canon EF 24-105mm f/4 L IS USM Lens
Sigma 50mm f/2.8 EX Macro 1:1 Lens

Director : Niels Aernouts
Shot : Sylvain Dupagne
Editing : Yoann Harvent
Recording : Pedro Cali
Music by Gianni Galli from "Diez Trio"
Post Production : Lapino Albino
Based on a original idea by : Pedro Cali & Sylvain Dupagne

Mercedes Commercial shot on Canon 5D Mark II

2010-01-07T07:18:00.001-08:00

Canon 5D Mark II Commercial
Yükleyen galbraithglen. - TV dizilerini ve programlarını online izleyin.

Mercedes Commercial shot on Canon 5D Mark II

2010-01-07T07:18:00.000-08:00

Canon 5D Mark II Commercial
Yükleyen galbraithglen. - TV dizilerini ve programlarını online izleyin.

Photographing a model with a 5D Mark II

2010-01-03T08:48:00.000-08:00

Photographing a model with a 5D Mark II from Josh N on Vimeo.

Coke "Bottles" Canon 5D MKII (Ken Arlidge)

2010-01-03T08:36:00.000-08:00

Coke "Bottles" Canon 5D MKII test/spec spot. from Ken Arlidge on Vimeo.

Eagle Mobile

2009-11-21T04:57:00.000-08:00

Quicktime 14.4 mb

Director : Mete Özok
Prod. : Film Park
Post.Prd.: Sinefekt

Yes !!! He's James Belushi. We know him mostly from TV series "According to Jim." I also like his old film K-9 (1989).
I did not know he's Albanian until I work for this Albanian mobile telecommunications company Eagle Mobile's commercial.
In the movie he's on a trip to Albania and he plays his role with an eagle. A special kind of eagle is the symbol of Albania.

There are two eagles in the film. One of them shot infront of greenscreen, other one is CGI. My friend (colleague) Koray Zengin created (modeled, rigged, animated and rendered) the eagle.
The commercial was recorded on super 16mm film and we complated the project in HD resolution. It will be brodcasted both SD and HD Tv channels.
The CGI eagle was rendered 16bit openexr format. In Sinefet most of the latest 3D projects are rendered with a large range of color depth for color grading like film.

Second film that I worked for online and compositing part including James Belushi was about a proposal of switching between telecommunication operators. Around about the same context was used in Turkey between Vodafone and Turkcell. In Albania the rival is Vodafone again. I heard that Eagle Mobile is a Turkish origin company.

Quicktime 7.5 mb

At online and compositing process there is no technical achievement. There are clasiccal fixes, color correction, wipe from one scene to another, vignettes, a small shine on the simcard and design of packshot.

Yedi Kocalı Hürmüz

2009-11-20T03:39:00.000-08:00

Quicktime 5.4 mb

Director : Ezel Akay
Production : 5.Boyut
Offline Editing : Mustafa Presheva
Director of Photography : Hayk Kirakosyan
Colorist : Eszter Nagy
Post.P. : Sinefekt
VFX Producer : Yonca Ertürk

The movie is Ezel Akay's third feature film as a director. The genre is comedy. The story of the movie is about a woman (Nurgül Yeşilçay as Hürmüz) who has 7 husbands. She cheats all of them and non of them know each other. We work with Özgür Taparlı, Güray Gürsoy, Turgay Gürsoy and Alican Serbest together for the effects.
The most significant technical detail about the post production is the camera used for the film. It was shot by Red One. Color corrected with Scratch (color grading system that is best competable with red). DOP Hayk Kirakosyan shoot with both 35mm and Red with same conditions (lights etc.) and compared results that are printed to positive film. They were satisfied with the results.

Quicktime 6mb

The cage was created by Arda Kutlu.

Quicktime 7 mb

I enjoyed compositing the 5.Boyut logo animation that is at the begining of the movie before the title seq. It is the combine of stop motion clay animation and 3d footage. The clay animation (and photography) done by Niyazi Özyurt. http://www.niyaziozyurt.com
It looks like the game 'Lemmings'. One of my friend compare it to the game 'Settlers'.
We located apx. 60 caveman to the 3D generated huge logo.

Niyazi Özyurt photographed clay puppets' every frame with 2 different setup for generating alfa channel. It is known as silhuette photography.

This is my 18th feature film as a compositing artist.

İkea

2009-11-12T02:20:00.000-08:00

Quicktime 7.9 mb

Director : Bahadır Karataş
Agency : TBWA İstanbul
Prod : Film Park
Post P. : Sinefekt

Canon EOS 7D on set

2009-11-11T00:18:00.000-08:00

Production : Offline Film Yapım Ltd. Şti.
http://www.offline.com.tr

This camera is not 35mm film camera or red one or arri d21. Its canon eos 7d digital slr.

The video below is the best I've ever seen recorded with an slr.
"Filmed at Skywalker ranch on the Canon 5DmkII conformed to 24p and the Canon 7D shooting native 24p.
Timelapse done using stills. New Glidetrack shooter used for dolly moves. For rest of gear check out blog."

http://philipbloom.co.uk/2009/12/12/the-tale-of-lucasfilm-skywalker-ranch-red-tails-star-wars-and-canon-dslrs/

Skywalker Ranch from Philip Bloom on Vimeo.

Cinema Accesories For Slrs

2009-09-03T02:28:00.000-07:00

http://www.redrockmicro.com/products.html

http://www.zacuto.com/

Kart Finans

2009-09-01T07:23:00.000-07:00

Quicktime 6.73 mb

Director : Erol Özlevi
Agency : DDB & CO
Prod. : Film Club
Post.Prd.: Sinefekt

Peugeot 3008 - Türkiye Adaptasyon

2009-09-01T07:20:00.000-07:00

Quicktime 10.8 mb

Agency : EURO RSCG
Post.Prd.: Sinefekt

Koza

2009-09-01T05:57:00.000-07:00

Quicktime 14 mb

Director : Erol Özlevi
Agency : DDB & CO
Prod. : Film Club
Post.Prd.: Sinefekt

The bad side of the story about dslrs

2009-09-01T04:47:00.000-07:00

Line Skipping

Canon T2i/550D aliasing demonstration - excerpt from FEBRUARY, blown up from Nino Leitner on Vimeo.

Rolling Shutter

Dynamic Range

How to increase the Canon 7D dynamic range (Tutorial) from Luka on Vimeo.

Moire

5D Mark II: Holy MOIRE Batman! (Thin line issues) from Toby Cook on Vimeo.

MP4 compression

Color Bit Depth

Bit depth quantifies how many unique colors are available in an image's color palette in terms of the number of 0's and 1's, or "bits," which are used to specify each color.
The human eye can only discern about 10 million different colors, so saving an image in any more than 24 bpp is excessive if the only intended purpose is for viewing. On the other hand, images with more than 24 bpp are still quite useful since they hold up better under post-processing

Noise

PL Mount Lenses on Canon 5D Mk2

2009-09-01T02:24:00.000-07:00

A company in Los Angeles, CA, Hot Rod Cameras, is offering cinema style PL lens mounts, which will allow a few of the larger cinema lenses used on Arriflex film cameras to be fitted to the 5DMk2.
http://www.hotrodcameras.com

Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock".

Canon 1d mark4 videos, tests, comparisons, et cetera

2009-08-26T08:10:00.000-07:00

Shot on the Canon EOS 1D MKIV DSLR camera

Katja von Kassel - 'Lies' (Preview Version)

Katja von Kassel - 'Lies' (Preview Version) from Shoot Blue on Vimeo.

Rolling Shutter comparison Canon 7D vs 1D mk iv

Rolling Shutter comparison Canon 7D vs 1D mk iv from Sebastian Woeber on Vimeo.

50 Kuruşa Danette Sefası

2009-08-19T02:55:00.000-07:00

quicktime 6.8 mb

Director : Charles Richards
Agency : Young & Rubicam - Reklam Evi
Prod. : Haylazz
Post.Prd.: Sinefekt

Matte Painting made by Hüseyin Yıldız.
http://www.huseyinyildiz.com/

I have located apx. 200 bulbs by hand for randomization for the Mahya. We didn't use stock footage for the bulbs. Director especially shoot them for this commercial. The bulbs gets darker and brighter in time for the voltage fluctuation.

The chocolate retouching was very hard to do. As you mention the bubbles are foloating. It took 4 hrs. to complate this short shot.

Some good videos recorded with Canon EOS 5D Mk II

2009-07-22T03:25:00.000-07:00

Laforet Visuals - 7 Days 7 Shots

Laforet Visuals - Reverie

Feelings
Yükleyen dadang08. - TV dizilerini ve programlarını online izleyin.

Canon 7D movie - Another night in Beijing

Filmmaker: Norman Bonney DP, Tyson Wisbrock Director/DP
Production equipment used: Canon 5D Mark II, 16-35mm L II, 24-70mm L, 70-200mm L Non IS, Nikon 35mm 1.4, Nikon 50mm 1.4

Images Of Western Australia's Kimberley from Michael Fletcher on Vimeo.

Honda S-2000

I ♥ MY HONDA from Bob Jeusette on Vimeo.

Panic in Detroit from Jean-Paul Duarte on Vimeo.

Glidetrack (Fun) Test from Alican Serbest on Vimeo.

Eyespy Rig Test from Alican Serbest on Vimeo.

Canon HDSLR up in the air ( 5D Mark II )

2009-07-22T02:05:00.000-07:00

Before posting a comment about the advantages of recording a movie with 5d mk2 I find this videos on web.

Perspective aerials' remotely operated aerial camera platform equipped
with a Canon 5D Mark II full-frame digital SLR camera allows them to capture ultra high quality photos and Hi-Def video in the most extraordinary places.
http://www.perspectiveaerials.com

Canon EOS 5D Mark II ile çekilen ilk Türk Filmi - Yılanlar ve Güvercinler

2009-07-22T01:00:00.000-07:00

Senaryosunu Ceteris Paribus'un kurucu ortağı ve yaratıcı yönetmeni olan Giray Besen'in yazdığı film yine Giray Besen'in yönetmenliğinde Canon EOS 5D Mark II ile çekilmiş.
Sonbaharda sinemalarda.

Haber Turk

2009-06-16T04:23:00.000-07:00

Click To Play

Director : Boğaçhan Dündar
Agency : Fikir Merkezi
Prod. : Film Colony
Post.Prd.: Sinefekt

Avea - Teknopark

2009-05-18T00:37:00.000-07:00

Click To Play

Director : Bora Egemen
Agency : TBWA
Prod. : EFT
Post.Prd.: Sinefekt

In some projects if there is certain deadlines and time is so limited we use 2 or more flame or inferno systems in Sinefekt. With Autodesk's wire technology transferring a pal clip is just one click instant. 5 of our compositing workstations are upgraded to 2010 versions. So we are the fastest and have the biggest capacity. We can complete the projects in a very short period of time working as a team that we used to work for feature films.

In this commercial we shared the shots with Guray Gursoy. There are 26 shots. I have completed 12 of them as you can watch in my before after video. Guray worked with the client most of the time and he supervised the project joining the production part.

New desktop wallpaper of Flame 2010.

HSBC - Black & Rouge

2009-05-12T04:20:00.001-07:00

Click To Play

Director : Erol Özlevi
Agency : Grey
Prod. : Film Club
Post.Prd.: Sinefekt

"The Last 3 Minutes" (Son Üç Dakika) - (5DMkII)

2009-05-10T10:00:00.000-07:00

"The Last 3 Minutes" Directed by Po Chan from Shane Hurlbut, ASC on Vimeo.

THY - Yeni Hatlar

2009-04-01T01:35:00.000-07:00

Click To Play

Agency : Art Group
Post.Prd.: Sinefekt

Turkcell - Biz kimiz ?

2009-03-31T05:32:00.000-07:00

Click To Play

Director : Bahadır Karataş
Agency : Markom Leo Burnett
Prod. : Film Park
Post.Prd.: Sinefekt

For the crowd multiplication, Film Park recorded football supporters infront of greebox in Makina (www.makinafx.com) with Red One. There are 26 different fotball supporters with so many differnt acts. The footage was 3 hours long r3d files. We have edited, resized and converted the files with Red Cine. Our scratch system was not ready at that time. We imported the footage to İnferno, clasified and renamed the clips to the acts and angles. The client wanted special acts at instant times in the shot as goal emotions, fallow the ball and stand up synchronization with the football player.

We exported the clasified and spill corrected footage to Maya with alpha channels.
At far distances we generated the crowd with Maya using this footage. At closer shots we placed them one by one with hand. There are 250 layers of people with different slip values in one shot.

Ülker Golden - Fındık Fıstık

2009-03-04T06:08:00.000-08:00

Quicktime 3.7 mb

Director : Erol Özlevi
Agency : Ultra
Prod. : Film Club
Post.Prd.: Sinefekt

Blubox shots are recorded with
Phantom V-Series camera. I dont remember the model or version of the camera. My footage was 1024*1024 700fps
You can get some info from :

http://www.visionresearch.com ---->

"High-speed digital cameras for virtually any product characterization or motion analysis task. Several resolution choices, advanced features, sensitivity and speed, plus our famous image quality make Phantom V-Series cameras the natural choice of imaging professionals."

Danino - Dinocity

2009-03-02T01:21:00.000-08:00

Click To Play
Cell animations, background footage, storyboard are all done by Canlandırma Servisi.
I composed the layers together with flame and add some effects such as smoke,
lensflare, shadows etc. with Murat Başol in Sinefekt.

We worked with director Mustafa Emre several times in different projects.
He helps the children act realistic infront of greenbox very successfully.
Directing people in greenbox is so difficult even with the adults.
He made a final touch after we have finished the compositing and editing.

Tech Details:
I assembled greenbox footage from targa files by using filebased EDL in HD format.
There is no VRT or tape used untill broadcast. Offline editing was done by Can Emre.

Click To Play

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Recep İvedik 2

2009-02-23T04:40:00.000-08:00

Quicktime 3.5 mb

Recep İvedik is the most popular film nowadays and has the best box-office of all times.

There was a quarrel between Şahan Gökbakar & Cem Yılmaz about their films.
Cem Yılmaz joked that Recep İvedik was shot with hi-8 camera. Şahan invited
Cem Yılmaz and promised to show the HI-8 :))))

The film was recorded with F23 and F35 Sony digital Cinema cameras in HD
format. It was color corrected at Luster and effect shots achieved at flame.
The post production pipeline was same for both movies.

The director of Recep İvedik 'Togan Gökbakar' was an intern at Sinefekt one time.
So he is sensitive about the postproduction part. He was also working with Sinefekt
for his past 2 feature films Recep 1 & Gen.

There was 33 shots to fix. Most difficult 2 of them was to stabilize very very long
opening and end sequences.
There is a 2.5 min. long hospital scene that we add an electrocardiograph effect
and some heart puls numbers.

We take great care to fix the fur of Recep's. There are alot of fixes as always.

The post production part was not a big deal when we compare with others but we lough
alot and completed it in a short period of time with my friends Kuban and Turgay.

Quicktime 687 kb

Quicktime 6.3 mb

Nestle

2009-02-13T06:31:00.001-08:00

There are some famous brands in a country that are old, well-known, deep-rooted.
Furthermore they are identical with some products. For example we call tissue as "Selpak". But "Selpak"
is a brand. We call fuel-gas as "Aygaz or İpragaz". They are brands too. Gilette is an
English brand which entered to our dictionary as "jilet". We call razor: jilet in our country.
Is "hoover" a brand or a cleaning machine. I dont really know but it's in the dictionary.
You can increase the number of examles. Some products are taking their names from their founders
or they are the first ones in a country.

Nestle is one of them. Every Turkish people would remember the Nestle brands. Some of their
names are: Nescafe, Chokella, Nesquick. When you go to a coffe shop you will call the waitress
"Can you pass me a Nescafe please." When I was a kid, the the most attractive product was
"Chokella" in the market. We grow with some brands and they take parts in our lives.
I'm very proud of working in a Nestle commercial.

The commercial is about the past 100 years of Nestle in Turkey.
There are old film effects some are done during production and some are done
during post production. The look of the scene the mother feeds her chield is completely
achieved at production. They exposed the film from the backside and changed the
recording speed on 16mm film camera. The speed is varying as you'll see when you watch.
The colors enhenced in telecine and a littlebit in Inferno. We add a digital camera-stop
effect to the end of the scene.

The second old looking scene is recorded to 35mm film. I tried Tinder's old film plugin.
But we accomplish the effect by using fully manuel methods with Inferno. I had a full
control on the parameters. (As you know "Power is nothing without control".)
The speed is changed with timewarp. We make sudden position changes in the image.
I added motion blur, lensblur and vignette to whole image. I applied kind of a shake.
I composed stock scratches, stains and negative burns. I added tape stains to cuts.

The third old looking scene shoud look like 8mm. We added gate and shake. Colors
and grainy look is done at telecine.

There are a lot of fixes at the rest of the film. (You can watch them from my before-after video).
I'm getting used to Flames Time Line and BatchFX. I used it to comp the supers (texts).
Packshot is also designed at flame using 2d still images from the web.

2008 SHOWREEL

2009-01-02T13:12:00.000-08:00

Click To Play

İnci Akü

2008-12-31T22:00:00.000-08:00

İnci Akü

İnferno Screenshot

Quicktime 2.66 mb

Türk Telekom - (AROG) İş Yemeği

2008-12-31T18:00:00.000-08:00

İnferno Screenshot

Quicktime 12.1 mb

İnci Akü 02

2008-12-31T16:00:00.000-08:00

İnci Akü

Screenshots

Quicktime 3.39 mb

Advantage - BP

2008-12-31T14:00:00.000-08:00

Advantage - BP

Quicktime 7.9 mb

Cheetos - Pencere

2008-12-31T12:00:00.001-08:00

Cheetos - Pencere

Quicktime 2.35 mb

TTNET (Arog)

2008-12-31T12:00:00.000-08:00

TTNET - AROG

Quicktime 4.43 mb

Süvari

2008-12-31T10:00:00.000-08:00

Süvari

Director (Levent Tuna) wanted desaturated colors, shadows tinted to greenish blue, darker blacks
The source footage was hdcam. I resized the movie by lanczos filter for pal output.

Screenshots from Flame's powerful cc tool color warper.
You correct images like telecine style with turning balls (I like it)

Quicktime 874 kb

Doritos - Alaturka

2008-12-31T04:00:00.000-08:00

Doritos - Alaturka

Usually people say that "what have you done for the movie. isnt it all done in 3d ?"
There are several render passes to comp this secene. We touch every layer and enhance the secene in a 2 day client driven flame session. (Director : Güray Varol)
(The adv. details are at www.sinefekt.com)

Render passes: Shadow pass, reflection pass, floor pass, curtain pass, pepper pass, stalk pass, package pass, normal pass, z depth pass

We used fbx file coming from Maya to locate the spots to the floor and a big one spot to whole scene. We also put a beam multiplied with a smoke footage to make an atmosphere effect. The beam is connected to an axis and rendered with a camera from the fbx file.

Click To Play

Click To Play

Sıcak - Vfx Shot

2008-12-23T22:00:00.000-08:00

Sıcak - Vfx Shot (Brain Blast with Turkish infantry rifle G3)

Quicktime 133 kb

İnferno Screenshots

Issız Adam

2008-12-23T18:00:00.000-08:00

Issız Adam - Opening & end title sequences

AROG - Matte Painting Shots

2008-12-23T16:00:00.000-08:00

AROG - Matte Painting Shots
34 effect shots (30 matte paint comp & 4 fix) completed by me in aprx. 200 hours
with flame 2009 on linux at Sinefekt.

If you examine the before-after frames you'll see that its not a greenbox or the forground objecs are not infront of a flat background. A huge amount of roto job done for these shots. There are also depth of field animations, matching of lens effects like lens breathing ,lens deformation, vignetting etc. There are motion blurred and transparent details like feathers and ropes that are very difficult to roto.

Quicktime 2.1 mb

This video is 10 sec. of AROG for only technical explanation of an effect shot.

Sinefekt - Commercials - 04

2008-09-10T00:57:00.001-07:00

Alf

Danino - Dinonun Çiftliği

Doğadan

Danino - Yatırım

İklimsa

Finansbank

Sinefekt - Commercials - 03

2008-07-29T12:06:00.000-07:00

Otomotiv_Sanayii

Şekerbank_Bonus_Konfeti

Cheetos_Futbol

Teknosa_Milli_Takım

Activia_Pencere

Danino_Basket

Avea_Neşeli_Mesaj

Sırma_Doğal_Kaynak_Suyu

Sırma_Meyveli_Maden_Suyu

Erpen_Kurşunsuz

Erpen_Kurşunsuz

Danette_Winter_Promo

Paro_Beyaz_Eşya

Sinefekt - Commercials - 02

2008-07-28T09:12:00.000-07:00

Danette_2lim

Airwick_Hamster

Danone_Doğal

Garanti_Basket

Sleepy

Erpen_Kurşunsuz

Vole

Cheetos_Yıldız

Axess_Po

Danino_23 Nisan

Maximum

Activia_Tagon

Telsim_Vodafone

Digitalage

Tamek

Algida_Amaze

Sinefekt - Commercials - 01

2008-07-27T06:12:00.000-07:00

Br

HSBC_1=4

Alpella

THY

MTV_Türkiye

Dankek

Tekel Birası

Beypiliç

Binboa Vodka

İKSV

Gripin_Elalem

Sinefekt_Showreel_Intro

Erpen_+2

Ata Online

Gnctrkcll

Lipton_Ekinezya

Sütaş